After playing around with a few options, I manipulated images in Photoshop and created some positive transparencies. Solarplate scraps were used to test exposure times and then plates were burnt.
Solarplates |
Individual sections on left, single print on right. |
First I printed two separate plates as a diptych. It was OK but seemed to lack a connection between the two images. I decided to create an additional narrow plate; just clouds. I cut the sections apart and inked them separately varying the colors slightly and using chine colle' on the moon section. This worked much better.
Having just completed a large edition for a portfolio, I was more interested in experimenting with this piece. I liked the possibilities that arose when the plates were in sections; affording various inking and wiping options. Also, I had been thinking about "collaging" prints together to create variable editions and this gave me a chance to try that out. Most of all, it felt good to be back at work and finally get something completed!
I finished the piece by embossing a shape to surround the three sections and then each print was carefully glued into place. The resulting "Sky Fall" represents the ever changing and unpredictable nature of time, tides and beach.
Sky Fall |
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